When I shoot, I am always thinking beyond the obvious. This often entails taking pictures of components to use later when I'm working in Photoshop. For example, I photographed this old building with it's quant balcony in Venice, Italy during one of my Carnival in Venice photo workshops. I then took pictures of a costumed model while kneeling specifically to get that low point of view. I then put the two pictures together in Photoshop. Note how the angle on the model is perfectly appropriate for standing on an elevated balcony. The building by itself made a nice shot and so did the model. But together they make a more striking image -- i.e. the sum is better than the parts. That's not always true, but it is true here.
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