When you are shooting a flat subject and the back of the camera can't be parallel with the surface, you must use a small lens aperture for complete depth of field. You need to have the entire surface sharp, and if the subject and digital sensor (i.e. the back of the camera) are oblique relative to each other, you won't be able to create as much depth of field as you need. In this picture of Newspaper Rock in southern Utah showing ancient petroglyps, some of which are 2000 years old, the face of the rock leaned back away from my camera position. I couldn't raise the camera up 10 or 15 feet to shoot downward a bit, so the only option I had was to use a tripod, aperture priority, and f/22. Because this was lit by diffused light (fortunately), I didn't have enough light for both a fast enough shutter plus f/22. Hence, the tripod.
5 Comments
Aug 11, 2015, 8:06:36 PM
jin - Thank you for your instruction.
Aug 11, 2015, 7:51:05 PM
Jim Zuckerman - You're very welcome, Jin.
Aug 11, 2015, 3:05:37 PM
jin - Thank you for your instruction.
Aug 9, 2015, 10:55:30 AM
Jim Zuckerman - Hi Rosemary,
I'm glad you found this useful. When subjects are far away -- like a distant mountain -- depth of field isn't relevant because everything is in focus at any lens aperture. But when you are close to the subject, depth of field is very relevant and this concept of being parallel with the plane of the subject is important. Jim
Aug 9, 2015, 10:41:48 AM
Rosemary Sheel - Great tip. I've never heard or read this.